Sony‘s new FE 100-400mm f/4.5 GM OSS has made an immediate impact, shooting straight to the top of Japan’s best-selling lens rankings just weeks after launch.
According to sales data from retailer Yodobashi, Sony’s latest telephoto lens (available for $4,298 / £4,399) claimed the No.1 position during the first half of June – an impressive debut for what Sony says is the world’s first full-frame mirrorless zoom lens to offer a constant f/4.5 aperture.
Photographers were eager to get their hands on the new optic, which replaces Sony’s long-running FE 100-400mm f/4.5-5.6 GM OSS with a brighter aperture, faster AF (autofocus), and an internal zoom design. While Sony celebrates, the question is: what happened to last month’s No.1, the Nikon Z 70-200mm f/2.8 VR S II?
1. Sony FE 100-400mm f/4.5 GM OSS
2. Sony FE 24-70mm f/2.8 GM II
3. Sony FE 70-200mm f/2.8 GM OSS II
4. Hasselblad XCD 35-100E
5. Tamron 25-200mm f/2.8-5.6 Di III VXD G2 (E-mount)
6. Canon RF 100-400mm f/5.6-8 IS USM
7. Sony FE 50-150mm f/2 GM
8. Nikon Z 24-70mm f/2.8 S II
9. Canon RF 70-200mm f/2.8L IS USM Z White | Black
10. Nikon Z 24-120mm f/4 S
Success for Sony’s top-tier lens lineup
Alongside the debut of the FE 100-400mm f/4.5 GM OSS at No.1, Sony demonstrated the strength of its premium G Master lineup by placing four lenses in Yodobashi’s latest Top 10.
The Sony FE 24-70mm f/2.8 GM II claimed second place, followed by the Sony FE 70-200mm f/2.8 GM OSS II in third, while the Sony FE 50-150mm f/2 GM secured seventh.
No other manufacturer matched Sony’s representation in the rankings, highlighting the continued demand for its high-end E-mount lenses among photographers in Japan.
Premium glass: the fastest zoom for medium format
The Hasselblad XCD 35-100E secured fourth place, continuing a strong run that has seen it regularly feature among Japan’s best-selling lenses throughout 2026.
Designed for the Hasselblad X, the XCD 35-100E remains the fastest zoom lens currently available for a medium-format camera, with a maximum aperture of f/1.8 at the wide end.
This premium optic can effectively replace seven high-end prime lenses worth over US$20,000, making it one of the most versatile workhorse lenses in professional photography
Where did Nikon’s champion zoom go?
Claiming the top spot after its release, the Nikon Z 70-200mm f/2.8 VR S II has dropped out og Yodobashi’s Top 10 entirely.
The rapid fall shows how competitive Japan’s lens market can be. Newly launched optics often win from a surge of pre-orders and early demand, getting them to the top of the sales charts before interest naturally levels off.
Whether Sony’s new FE 100-400mm f/4.5 GM OSS can maintain its momentum remains to be seen.
Its groundbreaking constant f/4.5 aperture gives it a unique selling point, but future rankings will reveal whether its early success reflects sustained demand or typical post-launch excitement.
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